Display cabinet
Some weeks ago, I was lucky to buy an old chinese composite from Peter Dekker. Some of you have probably seen it already on Facebook. I figured it deserved a proper cabinet to protect it from dust, and this gave me an excuse to play around with other woodworking techniques that I have been wanting to try for a while.
[external image]
As I have been rehabilitating my workshop this fall, I had an old window to spare, and amazingly the glass had the perfect size for the project. The frame will become arrow shafts.
[external image]
I made the frame of the cabinet out of cherry, and dowetailed the corners. I've never dowetailed anything before, so I made two test pieces first. On the third try it worked alright.
[external image]
The materials were sawed on the bandsaw, and then hand planed. With a properly sharpened iron, sandpaper is not neccessary.
[external image]
For the back of the cabinet, I used some birch plywood. It would eventually be covered with textile anyway.
[external image]
I chose to make the door frame out of wenge, as it is the darkest wood that I had at hand. The dark colour would match the dark decoration on the bow. The sides and the top/bottom is book-matched, to make the pattern symmetric.
[external image]
I was considering using a tenon-joint at the corners, but figured the frame would be too thin and wide to makt it work properly. Half-lap joints are easier, and should be strong enough. Here you can also see where the glass goes. I fixed the glass to the frame by glueing some small pieces of wood around the edge after inserting the glass.
[external image]
The door was scraped smooth with a card scraper before putting on shellack. Wenge is really hard and wears quite heavily on any tool, so the scraper had to be set up a considerable number of times.
[external image]
Test-fitting the door to the frame.
[external image]
Here the hinges have been mounted, and I have started wondering how to cover the back panel with textile. I used black wool normally used for the norwegian traditional dress, and glued it down with non-gelling fish glue. The edges were covered with some small strips of wenge. Here is of course also the bow test-placed. :)
[external image]
As I have been rehabilitating my workshop this fall, I had an old window to spare, and amazingly the glass had the perfect size for the project. The frame will become arrow shafts.
[external image]
I made the frame of the cabinet out of cherry, and dowetailed the corners. I've never dowetailed anything before, so I made two test pieces first. On the third try it worked alright.
[external image]
The materials were sawed on the bandsaw, and then hand planed. With a properly sharpened iron, sandpaper is not neccessary.
[external image]
For the back of the cabinet, I used some birch plywood. It would eventually be covered with textile anyway.
[external image]
I chose to make the door frame out of wenge, as it is the darkest wood that I had at hand. The dark colour would match the dark decoration on the bow. The sides and the top/bottom is book-matched, to make the pattern symmetric.
[external image]
I was considering using a tenon-joint at the corners, but figured the frame would be too thin and wide to makt it work properly. Half-lap joints are easier, and should be strong enough. Here you can also see where the glass goes. I fixed the glass to the frame by glueing some small pieces of wood around the edge after inserting the glass.
[external image]
The door was scraped smooth with a card scraper before putting on shellack. Wenge is really hard and wears quite heavily on any tool, so the scraper had to be set up a considerable number of times.
[external image]
Test-fitting the door to the frame.
[external image]
Here the hinges have been mounted, and I have started wondering how to cover the back panel with textile. I used black wool normally used for the norwegian traditional dress, and glued it down with non-gelling fish glue. The edges were covered with some small strips of wenge. Here is of course also the bow test-placed. :)
Does your wife know what you did with her wool / skirt? :)
Cool antique bow (and box too ofc). How old is it?
Cool antique bow (and box too ofc). How old is it?
...hehe :wink:
Peter dated it to the early 1800s. Wen Cheh Huang estimated that it would be about 40-45 pounds, from the mid-limb dimensions.
I love it! - and it will be my teacher in making bows like it :)
Peter dated it to the early 1800s. Wen Cheh Huang estimated that it would be about 40-45 pounds, from the mid-limb dimensions.
I love it! - and it will be my teacher in making bows like it :)
beauty :D
I will say thanks, and thanks on behalf of the Chinese master who made the bow ;)
Here it has been mounted in the living room:
[external image]
With the black background, the mirror-effect is pretty much what there is to see. I guess I should have used a lighter colour background. Perhaps undyed linnen would have been better. The feeling was that black would be better style-wise.
[external image]
The finished dovetails.
[external image]
I drilled some holes in the back plate and pulled some hemp thread through by the nocks and the grip. To let the bow relax in the way it was, I made some wooden blocks and put leather covering on them. There is one under each tip and under the grip.
[external image]
I couldn't bear the thought of putting thread-marks on the cork grip, so I put some leather underneath.
[external image]
Here it has been mounted in the living room:
[external image]
With the black background, the mirror-effect is pretty much what there is to see. I guess I should have used a lighter colour background. Perhaps undyed linnen would have been better. The feeling was that black would be better style-wise.
[external image]
The finished dovetails.
[external image]
I drilled some holes in the back plate and pulled some hemp thread through by the nocks and the grip. To let the bow relax in the way it was, I made some wooden blocks and put leather covering on them. There is one under each tip and under the grip.
[external image]
I couldn't bear the thought of putting thread-marks on the cork grip, so I put some leather underneath.
[external image]
Ah, cool. I like the dovetails a lot, and way it opens.
Your work remembers me to the sculptor Brancusi.
The bases of his sculptures sometimes were the same artful as the artefact itself.
Peter
The bases of his sculptures sometimes were the same artful as the artefact itself.
Peter
Wow Kviljo! My congrats for you! Great looking!
Kviljo, it is really impressive! Great stuff! Congrats!
Thanks guys, appreciated :)